In , the X rating was replaced by NC under 17 not admitted , partly because of the stigma associated with the X rating, and partly because the X rating was not trademarked by the MPAA; pornographic bookstores and theaters were using their own X, XX, and XXX symbols to market products. Even cartoon sex symbol Betty Boop had to change from being a flapper and began to wear an old-fashioned housewife's skirt. One example is Child Bride , which featured a nude scene involving a twelve-year-old child actress Shirley Mills. In keeping with the changes in society, sexual content that would have previously been banned by the Code was being retained. The MPAA reluctantly granted the seal of approval for these films, although again not until certain cuts were made. The requested reductions of nudity were minimal; the outcome was viewed in the media as a victory for the film's producers. In , Breen retired, largely due to ill health, and Geoffrey Shurlock was appointed as his successor. Vertical integration in the movie industry had been found to violate anti-trust laws, and studios had been forced to give up ownership of theaters by the Supreme Court in United States v.
By , such subject matter was acceptable, and the original film was given a seal of approval. In , because of confusion over the meaning of "mature audiences", the M rating was changed to GP, and then in to the current PG, for "parental guidance suggested". In , The Hollywood Reporter mocked the code and quoted an anonymous screenwriter saying that "the Hays moral code is not even a joke any more; it's just a memory"; two years later Variety followed suit. Even cartoon sex symbol Betty Boop had to change from being a flapper and began to wear an old-fashioned housewife's skirt. In , areas of the code were re-written to accept subjects such as miscegenation , adultery, and prostitution. In Pictures at a Revolution, a study of films during that era, Mark Harris wrote that the MPAA approval was "the first of a series of injuries to the Production Code that would prove fatal within three years". By the time the film's sequel, Bride of Frankenstein , arrived in , enforcement of the Code was in full effect, and the doctor's overt God complex was forbidden. Some British films — Victim , A Taste of Honey , and The Leather Boys — challenged traditional gender roles, and openly confronted the prejudices against homosexuals , all in clear violation of the Hollywood Production Code. The studios had no way to keep foreign films out, and foreign films were not bound by the Production Code. The points outlined that the boundaries of the new code would be current community standards and good taste. He later made The Man with the Golden Arm , which portrayed the prohibited subject of drug abuse, and Anatomy of a Murder , which dealt with murder and rape. Any film containing content deemed suitable for older audiences would feature the label SMA in its advertising. The whole sequence lasts two and a half minutes. Industrial Commission of Ohio and held that motion pictures were entitled to First Amendment protection, so that the New York State Board of Regents could not ban The Miracle, a short film that was one half of L'Amore , an anthology film directed by Roberto Rossellini. In keeping with the changes in society, sexual content that would have previously been banned by the Code was being retained. The producers appealed the rejection to the Motion Picture Association of America. The enforcement of the Production Code led to the dissolution of many local censorship boards. For example, the re-make of a pre-Code film dealing with prostitution, Anna Christie , was cancelled by MGM twice, in and in , as the character of Anna was not allowed to be portrayed as a prostitute. Vocal smut cried to the censors for vengeance. The MPAA reluctantly granted the seal of approval for these films, although not until certain cuts were made. MGM released it anyway, the first instance of an MPAA member company distributing a film that did not have an approval certificate. Wilson , the U. Under Breen's leadership of the PCA, which lasted until his retirement in , enforcement of the Production Code became rigid and notorious. For more than thirty years, virtually all motion pictures produced in the United States adhered to the code. A famous shot from the film, The Great Train Robbery. Breen's power to change scripts and scenes angered many writers, directors, and Hollywood moguls.
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